Day One Hundred Thirty: Sodom and Gomorrah, pp. 460-480

Part II, Chapter III, from "The reconciliation put an end to M. de Charlus's torments..." to "...I realized we had to cut our moorings."
Things are still not going well between Charlus and Morel. When they're separated by Morel's military obligations, the violinist "would write the Baron fond and despairing letters, in which he assured him that he would have to put an end to his life because some frightful affair meant that he needed twenty-five thousand francs." And Charlus would refuse, fearing that he money "would have provided Charlie with the means of dispensing with him and also of enjoying the favors of someone else." 

That "someone else" turns out to be "the Prince de Guermantes, who, having come to spend a few days on the coast to pay a visit to the Duchess of Luxembourg, encountered the musician, without knowing who he was and without being known to him, and offered him fifty francs to spend the night together at the house of prostitution in Maineville." Charlus finds out that Morel is meeting someone there, and sends for Jupien to help him spy on Morel and his unknown companion. The result is a farcical scene which makes Morel, who has been tipped off about the Baron's espionage, more wary of the Baron, but leaves Charlus none the wiser. And it's followed by another scene in which Morel goes to see the Prince at a villa he's renting and is startled to discover there a picture of Charlus.
Wild with terror, Morel, recovering from his initial stupefaction, and not doubting that this was an ambush into which M. de Charlus had led him as a test of his fidelity, tumbled down the villa's few steps four at a time and began running as fast as his legs could carry him.
Meanwhile, the narrator has been spending time in the company of the Comte de Crécy, "a poor but extremely distinguished member of the gentry," with whom he has been hitting it off because of his interest in the Guermantes genealogy. And Mme. de Cambremer and Mme. Verdurin have been sparring with one another to see who can establish herself as the dominant figure in local society, using Charlus, Morel, and members of the "little set" as pawns in their game. Brichot in particular gets caught up in this little war because he has something of a crush on Mme. de Cambremer. 
It was a day of high emotion at La Raspelière when Mme Verdurin was seen to disappear for a whole hour with Brichot, whom she was known to have told that Mme de Cambremer made fun of him, that he was the laughingstock of her drawing room, that he was about to dishonor his old age and jeopardize his position in academic life. 
Thus Brichot is brought to heel. 

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